Promiscuous readers share their thoughts
Friday, August 3, 2012
More Kingsolver
Tuesday, July 26, 2011
Prodigal Summer
Prodigal Summer tells three stories that don’t necessarily overlap other than taking place in the same county during the same sultry summer. There are Deanna and Eddie who collide despite their polarizing differences; Lusa whose world collapses and who finds herself facing choices she didn’t know she was prepared to tackle; and Garnet and Nannie, elders who go to lengths to work at odds even as they try to preserve the same land. Kingsolver is able to intertwine the stories in a way that makes them feel relevant to one another and not at all choppy or out-of-place. They are full of heartbreak, humor, lessons in biology and conservation, and the underlying truth that everyone has needs and those needs are oftentimes much more similar than we realize.
Prodigal Summer is alive with life and brought two things to my attention that I previously hadn’t noticed:
1. There are no antagonists in Kingsolver’s stories. There are people who antagonize one another, but there is no single character or group who plays the “bad guy” or wicked stepmother. I really appreciate this as in life there are no evil characters, just folks who, through their own needs, are antagonistic. We are all humans, we all have needs, and sometimes we step on one another in an effort to fulfill those needs.
2. In Kingsolver’s writing, the setting is a character in the story alongside the human players. The mountain comes alive as the coyotes return, bringing Eddie and Deanna together. Lusa comes out of the ash of her life and into gardens that refuse to stop producing. And Garnet and Nannie bicker over how to tame the wild land they farm as it grows out of control. This overabundance coupled with some intensely beautiful human intimacy lends undertones of reproduction and sweaty connection to the stories that give them a very organic feel, like the whole thing is happening in a hothouse.
This was a great book to read in July, particularly during the hot hot heat that we’ve had recently in Minnesota. Prodigal Summer takes place in southern Appalachia, a part of the country I know nothing about, but it sounded eerily familiar. Minnesota is known for, if nothing else, the diversity of weather we get and the book could have just as easily taken place here. There is going to come a time when I will need to read Kingsolver’s catalogue a second time and I’ll be sure to read this one in the summer, it just doesn’t belong anywhere else.
Tuesday, September 21, 2010
Animal Dreams
At one point it irritated me that Codi was turning into another character wrapped up in a gauze of aimlessness and I worried Kingsolver would send her on a quest to find her spirit animal or have a dream of her destiny in the desert, dehydrated and sunburned. Rather, without neglecting the importance of solitude, Kingsolver allowed Codi to renew her value and self-worth in the company of folks who could point her along the way without doing the work for her. Her friend Emelina, Emelina's mother Viola, Loyd and his mother, the ladies of the Stitch and Bitch Club, her own addled father, and from a distance, Hallie's letters, all had profoundly quiet influence on pulling Codi out of her habit of avoidance of who she was capable of being and who she was worthy of loving. Loyd, for all his physical loveliness and his habit of being a bit of a recluse, was able to tell her that "It's one thing to carry your life wherever you go. Another thing to always go looking for it somewhere else."
Woven into Codi's story is a brief foray into the sustainability movement as the town of Grace grapples with a devastating (and human-made) environmental catastrophe. As she idolizes her sister for her heroics in the field of sustainable and indigenous farming in Nicaragua, she is faced with her own monumental task: being the instrument for people who have become foliage in the memories of her childhood. She is caught unawares by the gravity of her involvement and simply moves forward because it is what is required of her. It seems that if a task isn't outrageously difficult or effective on a global scale, Codi doesn't see the heroic value in it. It takes the entire community, each person contributing a small action or comment to get Codi to realize that living her life with people who truly value her and her skills is heroic, even if she doesn't think so. To honor the value others see in you is often the most difficult task.
Kingsolver, master at the ache we place upon our own hearts, is also master of using the setting of her stories to reflect the characters and the story itself. I love the setting of the American Southwest (in this case, the fictional town of Grace, Arizona; how fitting and lovely!). Kingsolver uses the background as an allegory of the beauty of human emotional suffering, as well as the physical suffering of a marginalized indigenous community. The haunting wind and parched land that annually give way to the beauty of desert flora makes for a delightfully spiritual place for such a quiet and meaningful story.
Animal Dreams reinforced for me the joy of Barbara Kingsolver's stories of heartbreak and emotional redemption. Her tales of the American Southwest always carry a detail of desperate loneliness with them that makes them stand apart as complete and separate things; yet they never actually do break your heart. She manages to uplift the reader without being trite or saccharine and make you feel as if you'd earned the entire book's secrets and trust. It is with reverence that I delve into each new Kingsolver book, for the quiet themes, the lovely characters, and the fragile matter of deep human love.